
Light and Shadow
Posted by
coffeeboy
on Thursday, March 4, 2010
Labels:
figure drawing,
pen and ink
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Comments: (0)
Seems like I have been drawing for a week straight. It also seems like the only time I draw these days is when I get together with a group of other artists. I have given up on experimenting for the time being and am sticking with pens. Go with what you know.


Cadavre Exquis
Posted by
coffeeboy
on Monday, March 1, 2010
/
Comments: (0)
Exquisite corpse is when two or more artists work on one picture. What follows is a series of collaborations between fellow artist Flammis (Ariel Childers) and myself. She and I have very similar styles (read: heavily comic influenced) and I think we were able to compliment each other nicely.


Carnaval... NOT carnival
Posted by
coffeeboy
on Thursday, February 18, 2010
Labels:
figure drawing
/
Comments: (0)
My drawing group had a special treat in honor of Carnaval that really must be seen to be believed.

We normally start out any session with a series of 30 second poses. These 'gesture drawings' help us warm up and get a feel for the model. The beautiful Eliana danced for us while we sketched.

My experiments with watercolor have been hit and miss. For every good piece I turn out, I have a colossal failure to keep me humble. Tonight I gave it a shot and was not at all pleased with the results. The outfit was just too damn complex.

We normally start out any session with a series of 30 second poses. These 'gesture drawings' help us warm up and get a feel for the model. The beautiful Eliana danced for us while we sketched.

My experiments with watercolor have been hit and miss. For every good piece I turn out, I have a colossal failure to keep me humble. Tonight I gave it a shot and was not at all pleased with the results. The outfit was just too damn complex.
Look Mom, COLOR!
Posted by
coffeeboy
on Wednesday, January 20, 2010
Labels:
color,
figure drawing
/
Comments: (0)
I decided to try a little something different at a recent drawing session. The model was a chatty little thing and quite fun to draw (read: interesting tattoos and hair color). I have been in possession of various types of colored media for almost as long as I have been drawing but never put much effort into it. That is what computers are for, right?

I started with a quick pencil sketch and then used colored pencils to get a feel for the colors I wanted to use. Then it was time to really get froggy.
I must admit, I was intimidated by a recent gift of watercolor paints. What would I do if I messed up? You can't erase watercolor, can you? But hey, when a pretty girl gives you a set of watercolors and says, 'paint me a pretty picture,' what choice do you have?
Baby steps. I didn't try to start out with anything too complex. I think this may have even been a ten minute pose. Just a pencil sketch, not even too many details, followed by a little playing with shades. I tried to get a feel for the paper, not a stock I am accustomed to working with, and how the paint flowed, or didn't in some cases. If I was not careful, I might have been in danger of enjoying myself.

Not only did I live to tell the tale but I even relished the experience. I even feel confident I can avoid giving the model '70's porn bush' in the future. Photoshop assist on this last image was provided by Alessandra (at least I think it was Alessandra. It was definitely one of those Plattners).

I started with a quick pencil sketch and then used colored pencils to get a feel for the colors I wanted to use. Then it was time to really get froggy.
I must admit, I was intimidated by a recent gift of watercolor paints. What would I do if I messed up? You can't erase watercolor, can you? But hey, when a pretty girl gives you a set of watercolors and says, 'paint me a pretty picture,' what choice do you have?
Baby steps. I didn't try to start out with anything too complex. I think this may have even been a ten minute pose. Just a pencil sketch, not even too many details, followed by a little playing with shades. I tried to get a feel for the paper, not a stock I am accustomed to working with, and how the paint flowed, or didn't in some cases. If I was not careful, I might have been in danger of enjoying myself.Feeling rather confident with my initial results led me to branch out a bit. Then disaster struck. All of my worst fears were realized. Wet paint on top of wet paint created a smear that I was sure would herald the end of the world. It didn't. The world kept on moving and, I dare say, no one else even noticed that a catastrophe had been so close at hand. Imagine that.

Not only did I live to tell the tale but I even relished the experience. I even feel confident I can avoid giving the model '70's porn bush' in the future. Photoshop assist on this last image was provided by Alessandra (at least I think it was Alessandra. It was definitely one of those Plattners).







